VEKT - Portable Drum Computer V.4

video upload by uszymyszy

"Hi! Here is v.4, I redesigned the enclosure to be more rugged, we have also a battery and speaker. Most of the errors are solved, the UI is quite cluttered yet and I make a lot of missclicks/wrong shortcuts but after some tweaks everything should go fluent.

The idea is to have a pocket version of Ableton workflow, simplified but easy enough to create sketches for further polishing in DAW. I plan to build several units for testers but is still a lot of work to do and I cannot guarantee anything at the moment. I will try to progress as much as possible to finish this in this year."

And from one year ago:

Vekt - Portable Drum Computer

video upload by uszymyszy

"I built a Pocket Operator alternative. It can now record and play internal synths. There are 4 engines:
- Bass (Roland TB-303 mod),
- Lead (8bit style),
- Braids (implementation of Mutable Instruments eurorack module),
- Wavetable (several waves mixed by knobs)

I hope the UI is self explanatory, it is focused on simplicity and uses Ableton-like mini session view to launch clips"

The first prototype was shown 3 years ago on reddit.

It looks like a Dirtywave M8 tracker, but is different in both build layout and function. From the creator:

"M8 is a stunnig device for complex projects, I plan to keep my Vekt operator more like pocket op where you can quickly create sketches/ideas and polish them later on DAW. And the main idea for me personally was to quickly create rhythmic sequences which I can use with my visualization app instead making them in DAW, this will speed up the process."

Wiggler and TX-6 synth jam

video upload by Fluent Instruments

"Wiggler and TX-6 Jam

My #synthdiy Wiggler is a simple expressive monosynth, like a minimoog crossed with a wooden flute.

I discovered it plays really well with distortion. I only tried this because I found the distortion on the TX-6. The TX-6 also lets me pipe the audio into my phone and monitor it while recording!

The patch is a sawtooth wave with wiggle modulation thru a low pass filter with press modulation. There’s also a decay envelope to whack the filter.

#synthesizer #mpe #osmose"

See this post for another demo and overview. Note the YouTube name has switched from Sound Werkshop to Fluent Instruments.

EXTREMELY RARE LYRICON I ANALOG ELECTRONIC WIND SYNTHESIZER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Nektar Panorama P1 USB MIDI Controller w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This is a supporting member post.

"The Panorama P1 from Nektar Technology is a MIDI controller housed in a desktop enclosure that provides deep Reason, Cubase and Nuendo integration, along with comprehensive MIDI programming options. Multiple encoders, faders, buttons and a foot switch jack provide immediate control of up to sixty-one parameters at any one time. Settings can be stored in twenty presets, with individually save and loadable function-key maps that yield more than 1,200 combinations. However, the controller will happily function with virtually any other DAW. A 3.5" color TFT display delivers the information needed for each mode or menu, while providing detailed information that makes workflow fluent and fast. Setting up presets or function-key maps is easy. The Control Edit menu allows for selecting a control, and in real-time, assigning the MIDI command required. For each control, values can be scaled, reverse and assigned specific or global MIDI channels.

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Music for Hard Times [Episode 128]

Published on Mar 23, 2019 CatSynth TV

Anyone ID what's below the Buchla?

"We return to the Luggage Store Gallery in San Francisco for a performance featuring Music For Hard Times - Paul Winstanley and Tom Nunn - plus special guest Thomas Dimuzio on modular and other synthesizers.

For more new and unusual music, please subscribe to this channel and visit www.catsynth.com
________________
Music For Hard Times is a duo with Paul Winstanley, electric bass with multiple effects pedals, and Tom Nunn, original experimental instruments such as space plates, electroacoustic percussion boards and various "skatch" instruments. MFHT has worked together since 2010 and has recorded over 200 sessions, from which nearly a dozen limited run/online CDs have been produced as well as a published CD, "City of Cardboard," and a vinyl record, "Giant Powder Dangerous." MFHT has performed in the Bay Area at venues including Center for New Music, The Makeout Room, [etc.]… In 2015, MFHT was invited to perform as part of the Sudden Sound Festival at the Krannert Art Center in Urbana, Illinois, as well as performing at Experimental Sound Studio in Chicago. Paul’s sounds range from staccato noises to a vastness of sustained tones, using refined implements and highly developed techniques that, at times, defy recognition. Nunn’s space plates, skatchboxes, Lukie tubes and harmonic rods bring a truly unique sound universe to the group that variously blends with, complements and contrasts the “expanded” electric bass. "Music For Hard Times never hit the listener over the head in order to get their attention. They simply get down to the Zen of their other worldly duo exchanges, and, if one is inclined to go along, one will surely find much intrigue." - Mark Pino

Paul Winstanley is an improvising electric bass player from New Zealand who specializes in extended techniques for that instrument. In addition to trying to make his bass sound like electronics he is interested in making electronic music that sounds like natural environments. He has several solo projects including Sci Hi (electronic feedback), Speed Cook (music from sound samples and non-musical sounds) and The Complete Recordings (artificial simulations of field recordings). Paul lived in Auckland, New Zealand for 10 years where he was part of the growing local and national experimental/improvising music scene, playing in groups w/luminaries like instrument inventor Phil Dadson, percussionist John Bell, radical concert brass band The NZ Dominion Centenary Concert Band, folk icon Fats White, abstract electronic supergroup Plains and improvising electronic trio Audible 3.

Tom Nunn has designed, built and performed with original musical instruments since 1976, having received a B.Mus. and M.A. in music composition from the University of Texas at Austin and S.U.N.Y. Stony Brook, and post-graduate work at U.C. San Diego. His instruments typically utilize commonly available materials, are sculptural in appearance, utilize contact microphones for amplification, and are designed specifically for improvisation with elements of ambiguity, unpredictability and nonlinearity. Tom has designed and built well over 300 instruments, representing three basic types: space plates, electroacoustic percussion boards, and skatchboxes. Nunn’s work with experimental instruments since 1975 is thoroughly reviewed in Sudhanshu G. Tewari’s doctoral dissertation, “Confluence: Tom Nunn’s Sculptured Musical Instruments for Improvisation,” University of California Santa Cruz, Dec. 2017.

Thomas Dimuzio is one of unsung artistic figures whose influence and abilities have substantially outstripped his visibility. Composer, multi-instrumentalist, sound designer, experimental electronic musician and recording studio owner, Dimuzio has been busy doing his thing(s) since the late 1980s with critically acclaimed releases issued by the legendary house of audio misanthropy, RRRecords and former Henry Cow drummer (and current Dimuzio collaborator) Chris Cutler’s well-regarded ReR Megacorp label. Equally fluent in a nearly every contemporary post-techno style, Dimuzio’s work clearly demonstrates an insider’s knowledge of older experimental musical forms such as musique concréte and electroacoustic, as well as contemporary ambient-industrial and noise. Thomas Dimuzio has performed and recorded as a solo artist and collaboratively with Fred Frith, David Lee Myers, Dan Burke, Due Process, 5UU'S, Matmos, Wobbly, and many others."

Clavia / Nord Keyboards Introduces the Nord Piano 3

"Press Release, Stockholm 18-01-2016

With outstanding new keyboard technology, improved grand weighted action, Ivory touch and expanded memory for the exclusive Nord Piano Library - the Nord Piano 3 takes piano feel and realism to a new level.

The new Virtual Hammer Action Technology simulates the movement of the hammers in a Grand Piano, capturing the characteristics with exceptional dynamics and breathtaking level of authenticity.

General
88-note Triple Switch keybed with improved grand weighted action NEW
Nord Virtual Hammer Action Technology for greatly improved key response NEW
Ivory touch for authentic feel NEW
OLED-display for better overview NEW
1 GB memory for Nord Piano Library NEW
256 MB for Nord Sample Library NEW
Layer and split-functionality
Nord Triple Pedal included
Piano Section
4 Dynamic Curves
Dynamic Pedal Noise with Nord Triple Pedal
Advanced String Resonance (Gen 2)
Soft Release
Sample Synth
Dedicated Sample Synth section with Attack, Decay/Release and dynamic controls
Effects
All effects in Stereo
Tube overdrive simulation
Vibe effect
Separate Reverb/Delay effects
Tremolo, Pan, Ring-Mod and Wah-wah can be controlled with Control Pedal
VIRTUAL HAMMER ACTION TECHNOLOGY NEW
The Nord exclusive Virtual Hammer Action Technology simulates the hammer movements in a Grand Piano delivering outstanding authenticity and dynamic response. The Triple Sensor keybed allows key movements to be determined with stunning precision. The result is a keyboard action that handles dynamic playing with amazing control at any velocity level.

Repetitions
The Nord Virtual Hammer Action Technology enables you to produce a new note without lifting the key completely. This allows for smoother repetitions as the tone is not completely dampened between the strokes, similar to the fluent transitions possible on a Grand Piano.

Extended Triggering Range
The new keyboard technology makes both top and bottom triggering possible, resulting in amazing control when playing percussively as well as pianissimo with the keys half-pressed down.

Dynamic Release
The Virtual Hammer Action Technology also includes velocity sensitive release, dynamically dampening the sound based on how quickly you release the key.

GRAND WEIGHTED ACTION AND IVORY TOUCH NEW
The keybed has added weight for improved dynamic control and features a textured “ivory” surface, providing authentic Piano touch and feel.

The individual Fatar keybeds are meticulously calibrated at the Nord factory to ensure an even response over the whole range.

MODEL
The Nord Piano 3 features a new triple sensor keybed with Ivory touch and improved grand weighted action (A-C).

The Nord Piano 3 weighs 18,2 kg (40,7 lb) and measures 1287 mm (50.7"), 121 mm (4.8"), 340 mm (13.4").

NORD SOUND LIBRARIES
The Nord Piano 3 features 1 GB of memory dedicated to the exclusive sounds from the Nord Piano Library carefully selected for their specific and individual character. The ever expanding Nord Piano Library is filled with uniquely sampled acoustic and electric instruments, with an outstanding range of velocity levels allowing for exceptional dynamic control.

The Factory Bank features 6 Grand Pianos, 5 Upright Pianos, 11 Electric Pianos, Clavinet and Harpsichords. Replacing the sounds in your Nord Piano 3 is simply a matter of dragging and dropping files in the Nord Sound Manager for Mac and Windows.

The Sample Synth section in the Nord Piano 3 has 256 MB memory dedicated to the Nord Sample Library 2.0 - our essential selection of high quality sampled sounds from a wide range of genres including the exclusively licensed sounds of the Mellotron and Chamberlin.

PRICING AND AVAILABILITY
The Nord Piano 3 will hit the stores in May 2016 with pricing to be announced. Like all Nord keyboards, the Piano 3 is handmade in Sweden with meticulous attention to detail and quality control.

MORE INFORMATION
For more information please visit www.nordkeyboards.com/piano3"